A couple of months ago we took a trip to the Pentagram offices in Needham Road, West London to attend a talk by designer, Pentgram partner, author and all round nice-guy Angus Hyland. The talk focused on symbols and was organised in conjunction with the publication of Symbol, the recent book by Hyland and Steve Bateman. The talk was utterly brilliant and the book is equally so. Highly recommended.

Whilst I could write at length about the talk itself and the points Hyland raised, there was one thing he said that particularly stuck out for me. When talking about the more unusual, quirky and perhaps even awkward logo designs from years gone by Hyland said…

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We noticed the other day that our Ten Questions series has had a rather severe shortage of photographers. While the majority of focus on the blog has been on graphic design, our influences and inspirations come from far and wide. Photography is one of those areas and we plan to showcase plenty more of it on the blog in the future. Will Robson-Scott is a photographer who came to my attention some time ago with his series showing the London grime movement. Shining a light on the more outsider or marginalised subcultures has become a bit of a theme in his work, the most recent example of this being his Ego Bombing series, showing graffiti writers going about their business in and around London. The series eventually became the basis for Crack and Shine, a book produced in collaboration with publisher Fred Forsyth, TopSafe and Vans. The success of Crack and Shine enabled the collaboration to continue in the shape of Crack and Shine International, where Robson-Scott travelled to various major cities around the world to document some of the most well known graffiti writers in their natural habitat.

Will was kind enough to take some time to answer our Ten Questions.

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We first became aware of the work of Liam Brazier through the image bookmarking site Ffffound. His illustrations of Star Wars characters and superheroes in a distinctive, skewed style caught our attention = simple, stylish and refreshingly original. We checked out his portfolio and saw a wide range of varying styles and techniques in both static and moving image for clients such as Dazed & Confused, Creative Review, Design Week, Glastonbury, the Museum of London and Virgin TV. So, we thought we’d get in touch to see if Liam would be interested in answering our Ten Questions. He kindly obliged and gave us the following insight into the life of an illustrator – although please, don’t call him that.

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Whilst we do lots of different things here at Mat Dolphin, our main focus is graphic design. We design graphics. The stuff that sits on a computer screen and showcases what a person or company is offering. Or stuff that is printed onto a business card and introduces who that person is and what they do. Some of the stuff we design has to communicate a great deal within a very limited space or format. Some of the stuff we do has to communicate a great deal without actually saying too much. Often we have to work with strict, client-imposed constraints and occasionally we have complete carte blanche (which can often be the more difficult way to work).

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